Example 2 This example basically utilizes a C major 7th arpeggio.
Example 3 This example utilizes an F#min7b5 arpeggio, which is one of my personal favorites to use.
Example 4 This example demonstrates the use of the exact same long random sequence used in the previous example, now being applied to an E minor7th arpeggio.
Example 5 This example basically combines parts of examples 2 and 3, thus creating a longer lick that features 2 separate superimposed (overlaid) tonalities.
Example 6 This example utilizes both an A minor 7th and a B minor 7th arpeggio.
Example 7 This example utilizes both an A minor 7th arpeggio and a G major 7th arpeggio. If you get comfortable with
this lick, you may want to try attaching example 2 or 4 to the end of it in order to create a much longer lick that would
ultimately contain a variety of tonal characteristics.
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