Verbrator pedal, but with a slightly different
algorithm. Unlike a lot of other reverb pedals,
Good Verbrations allows you to adjust both the
level and the decay of the reverb signal. You can
have a short tight decay, or a longer lush decay,
which is a welcome addition for any guitarist who
would like a little more control over their reverb.
The pedal is simple: one reverb and two parameters, mix and decay. The reverb circuit is an
audiophile grade 16kHz bandwidth digital circuit.
The reverb in Good Verbrations has characteristics between a spring and hall reverb, and being
able to control the decay allows you to be more
expressive and musical in your playing. You’re not
just stuck with a standard reverb sound found
on other pedals or amps. With a clean sound, I
turned up the decay and found it was great for
slow, melodic and mysterious sounding phrases,
while a little gain gave it a bit more smoothness
and depth, especially for the leads. It also sounded great in the effects loop in my amp.
Overall, Good Verbrations has a nice sounding reverb with simple, yet very useful controls. If you liked the reverb in Fuchs’ Plus
Verbrator, you’ll like having a dedicated pedal
of that same reverb. – GG
Buy if … you’d like to control the decay of
your reverb
Skip if … you prefer more detailed control of
reverb with more parameters
Street $249
Fuchs Audio Technology
fuchsaudiotechnology.com
WHIRLWIND ORANGE BOX PHASER
Whirlwind has long produced great musical
products, and the company’s three newest
pedals—each of them featured in our pedal
roundup—are no different. All of them were
designed by Michael Laiacona, who just happens
to be the original designer of the MXR Phase 90,
The Distortion Plus and the Dyna Comp pedals.
Of course, each of the latter pedals has found
their way onto countless recordings spanning
many genres, becoming highly collectable units
in the process.
The new Orange Box Phaser is one of the new
ones, and is fitted with a 9V power jack and an
LED On/Off indicator, and bears a resemblance
to the original MXR pedal in size, metal box
construction and knobs. The single knob on the
Whirlwind unit shows the same “waveform”
design as on the old phase 100 model, and
lets loose a deep, wide sweep that is almost
reminiscent of a Uni-Vibe. I got some very
cool Robin Trower-type tones with a Strat, and
compared to similar phasers of this type, it was
clean and had a relatively low noise floor. Also,
having more depth makes it great when using
it before a distortion pedal, allowing it to cut
through with more authority. It was, of course,
great for the famous Eddie Van Halen tone
associated with the original MXR phaser.
The comparison to the original also showed that
the range of the speed controls was a bit different. The original went both slower and faster,
where the Whirlwind opened the envelope a bit
more by achieving a higher frequency at the top
of the sweep. I think Whirlwind set out to capture the original vibe of the old pedal, but with
a few upgrades. This one does just that.
The new Whirlwind Orange Box Phaser certainly
provides a new alternative to the phase units
presently on the market, and is both solidly built
and offers a lower noise floor. I got the feeling
that I was playing through a pro piece of gear
rather than something that would break or fail. It’s
not exactly dead-on to the original version, but
it does have some upgrades I think are valid in
today’s market. We’ve learned a lot since the ’70s
… amps, guitars and pickups have changed and
so have the requirements for good pedals. – KR
Buy if … you’re looking for a great phaser with
lots of presence that won’t get buried in your
distortion.
Skip if … you’re looking for a totally vintage
unit and your mind is made up.
Street $129
Whirlwind
whirlwindusa.com
MAXON VJR9 VINTAGE JET RISER FLANGER
One of my all-time favorite pedals is an old,
beat up Ibanez FL- 9 Flanger. I still use it, and
it’s definitely seen the rigors of the road. I’ve
kept it for so long because it has a much
understated effect on guitar tone. It never gets
overbearing or cheesy-sounding, and it provides a nice, subtle flange that gives the tone
extra depth and dimension, making it perfect
for clean rhythm work. Maxon, the company
that Ibanez originally commissioned to design
the effect, has recently released a hopped-up successor to its famous yellow ancestor,
dubbed the Vintage Jet Riser Flanger.
With a 2009 G&L ASAT Classic plugged into
a Fender Deluxe Reverb reissue, my favorite
flange tone was preserved in the Jet Riser,
and with clearer presence than before. With
the FL- 9 set to moderate settings, it almost
seemed at times that the flange wasn’t even
on … just something in the mix that was
causing the guitar to exhibit slight traits of
modulation. The Jet Riser can demonstrate
the same effect, but there’s a more apparent flange affecting the tone. You can hear
it moving its way through the frequency
spectrum in the background. The Jet knob,
which controls the intensity of the effect,
works hand in hand with the Width control,
and was capable of reproducing some great
5.0Rating...
4.0Rating...
The Stomping Grounds
PREMIER GUITAR NOVEMBER 2009 127 www.premierguitar.com
