Jazz Fig. 11Cmaj7
5
5
6
6
5
The following examples are some common lines h between the fifth and sixth degree of the major chord.
from Jazz Guitar Improvisation
(00695128)
JAZZY CHROMATICS
BY SID JACOBS
Embellish Your Single-Note Lines by Using
Chromatic Motion Between Chord Tones
Fig. 11
Cmaj7
5566
These lines combine a couple of the previously discussed fragments.
Fig. 1
The following examples are some common lines
highlighting chromatic motion between the fifth
and sixth degree of the major chord.
Fig. 12 G Cmaj7
JCmaj7 Fig. 14
241 21432412 2
43
These lines combine a couple of the previously discussed fragments.
Fig. 2
5
1
1
43 543
These lines combine a couple of the previously discussed fragments. 8107 8 7109 8
10 7 8 9
10
10
345
JCmaj7 Fig. 14
2 4 1 K Fmaj7 Fig. 15
JCmaj7 Fig. 14
241
Fig. 3
8
7
5
5
G
4
57
432
4
2
5
7
1
Fig. 12
Cmaj7
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2
4
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1
2
1
4
3
2
4
1
2
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4
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1
17
1
H
Fig. 13
Cmaj7
1 3 87
34
3
3
8 10
7
1
8
432
1
10 9 8
10 7
3
8
2
9
4
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1 10 8
7
410
28
1
2
7
10 9
345
32 1 8
10 7 8
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3
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43
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2
1 2 9 10
10
4
5 48 7
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67
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11 10 K Fmaj7 Fig. 15
7 8 K Fmaj7 Fig. 15
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3
3
Fig. 4
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1
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10 9
432
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8
3
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2
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4
101
12
3
1
4
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2
Fig. 13 H Cmaj7
14
3 431 1 This line is a Charlie Parker-type phrase.
8
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5
5
8765
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2
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1
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36 L Fig. 5
78
Fig. 16
Gmaj7
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3
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28
1
5
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2
5
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8
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7
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68
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3
7
10 8 7
This line is a Charlie Parker-type phrase.
11
10
7
98
7 10 7
10
10
9
8
7
10
8
98
L
This line is a Charlie Parker-type phrase.
98 7
Fig. 16
Gmaj7
10
9
L
Fig. 16
Gmaj7
3
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106 PREMIER GUITAR NOVEMBER 2010
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