soundhole into the shoulder
instead of putting f-holes on either
side of the bridge—although he’s certainly
not the first luthier to shift the sound-
hole or change its shape. “Now, I realize
I said Lloyd Loar is my hero, and it was
his idea to [put f-holes on the top] in the
first place. Having said that, it still doesn’t
look like the right place to me, because
that’s valuable real estate—that’s part of
my ‘speaker cone.’ I put the soundhole in
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