The unique design is meant to cut down on
sympathetic resonance and vibration, thereby allowing the bass to produce a clearer
tone. As an added plus, it looks great too.
When I picked up the GVB36 for the first
time, it felt on the heavy side at 10. 2 pounds,
making it hard to imagine playing four live
sets on a given night. With that said, I’m sure
I could probably build my endurance over
time, but my fears of a weary shoulder would
later give way to the ease in playability and
the great tone this bass possesses.
The string spacing is 14 mm at the neck,
narrower than the 16. 5 mm spacing found
on other Ibanez basses. As a lover of thinner
necks and narrower string spacing, I was
pleased how my fingers felt right at home
on the GVB36. The rosewood fretboard
is silky smooth and blazing fast, and the
strings are wonderfully tight and responsive—not only necessities in contemporary
jazz, but for other genres as well. The low-profile neck isn’t cumbersome or too thick
either, which are two arguments I usually
have against 6-string basses. Ibanez could be
making a believer out of me.
6-String Steps to Heaven The heart of this bass is its sound. Sadly, the Aguilar preamp found in its costlier counterpart is not on this model. But instead of worrying about what’s not there, let’s celebrate what is. The GVB36 is outfit- ted with a pair of Bartolini MK1 pickups and an onboard 3-band EQ with smartly configured controls that make it easy to dial in a great tone in no time at all. I ran the GVB36 through both a Warwick CCL 210 combo and an Eden WTX500
to hear audio clips of the bass at
paired with an Eden 115XLT cab. And when
modern bass met modern amp, this 6-string
found its voice. With the pickup balance set
even and the controls set flat, the bass produced a very relaxed tone, reminiscent of a
much more expensive boutique instrument.
The lows were clear and defined, which is
usually the point of a bass guitar, but many
basses with a low B miss the target in this
critical area. Not so here. Go ahead and ride
that low C for a while. The GVB36 encourages it by delivering sustain that lasts for days.
On the other end of the spectrum, the highs
on the upper strings projected with a modern
flair that was aggressive, yet still retained class.
This complemented the 24-fret neck beautifully, allowing solos and comped chords to
sing out without being overbearing.
Tone and Inspiration
Using the balance knob to mix the warm,
slightly muffled sounds from the neck
pickup with the slightly nasal and thin
sounds from the bridge, I found the control
had minimal effect after about a tenth of
a turn. This made me pursue other tone-shaping options, and in the process I found
my favorite sound by rolling the balance
control 100 percent to the neck pickup and
easing up on the bass EQ just a tiny bit. To
my ears, this is one of the GVB36’s sweet
spots, and as I played on, I discovered that
the bass had a few more tricks up its sleeve.
Rolling the balance all the way back to
the bridge pickup and then maxing the
REVIEW > IBANEZ
treble boost/cut control, it seemed like
the bass totally opened up by adding just
the right amount of, well, everything. The
highs above the 12th fret shimmered and
the “groove strings” sat in a great low-mid
region that would please the most discerning jazz or gospel artist. After dialing in
some treble cut, I rolled the balance back to
both pickups, and the sound instantly mellowed. This beautifully smooth tone again
made me feel like this bass was handcrafted
in small batches.
A wonderful and telling moment
occurred when I realized I’d been playing
for an hour straight without even looking
at a clock. That’s the kind of inspiration
you want from a bass: Its tones make you
want to explore more and more of the
instrument, and the quality of the build
keeps you playing.
Traditionalists loathe even 5-string basses,
so it’s no wonder that 6-string basses are
sometimes a tough sell. Adding that high
C is dipping into the land of the guitarist.
Personally, I have always had a hard time
with “6ers” because of the big necks and
string spacing, but Ibanez has nailed it with
the GVB36. It sings and grooves all at the
same time and you’re getting a lot of instrument for the money. If you are in need of a
bass with some extra strings in your touring
or recording arsenal, the GVB36 is a great
place to start … and end.
53 mm neck
width at nut
Pros: Great price, well built, and tonally strong.
Ibanez Gerald Veasley GVB36, $1, 100 street, ibanez.com
Cons: Heavy instrument, not for every gig.
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